"Morphing into Madness: Shifting Depictions of the Japanese Wolf"

"Orchestrating Miracles: Strategies of Sensing the Relics of the Buddha in Nao Haiji Reliquary"

"Censorship, Editing, and the Siku Quanshu: Late Imperial Collections as a Prism for Understanding Large Language Models"

"How to Write about the History of Common People in a Medieval Chinese City"

"How I Wrote a Book about the Gods of Mount Tai (China, 1000-2000)"

"The Immortal in a Doomed Tomb: Entombed Epitaph Inscription and the Quest for Immortality"

"Islamicate China: A Translocal History of Premodern Science and Philology"

“Strange Characters: The Orthographic Outliers of Modern China”

“Gao Lian’s Two Bodies: Caring for Oneself and Others across the Ming-Qing Transition”

"Unlikely sources – Examples from the Collections of the East Asian Library"

"On Musicality in Huangmei Opera and Taiwanese Opera"

"Xuanzang's Journey to Japan: Numinosity, Narrativity, and the Illustrated Life of Xuanzang"

"An Empire of Sound: Early Modern Chinese Opera and the Role of Acoustics in Literature, Theater, Politics, and Print"

"Nikki: Autobiography and Practices of the Archive in Heian-Period Japan"

"The Unlikely Rise of the Big Book in Early China, 239–26 BCE"

"Convert, Soldier, Envoy, Exile: The Remarkable Life of Naitō Sadahiro (Dom João Naitodono) [1551-1626], and His Suit of Christian Armor"

"Imitator of Antiquity or Innovator of New Classics? Yang Xiong's Forward-Looking Vision in the Fayan"

“When a Book Becomes a Project: Or, How I’ll Spend My European Vacation”

“Scams, Schemes, and Other Networks of Contemporary Capital”

"Time, Space, and Community ca. 300 BCE: Manuscripts and Their Users at an Ancient Chinese Court"